CONVERGING

 

 

 

CONVERGING

 

Phase III : Between Museums, Between Exhibits, Between Installations, or even Between Concerts – I always see/hear/feel/sense so much heretofore mundane (to me) transformed anew – and would like others to experience/share this vantage: Thus, expanding museum “boundaries” to encompass all who desire to be encompassed and be*yond “the project” seeks a reshaping of Lilly Sensory Deprivation Tanks from dank narrow gothic coffins into Embracing Expansive Evocative Eggs, and electronically interconnecting them via one-directional audio; that filters out all vocal frequencies (leaving only low visceral vibrations and high cosmic energies). E4 linked museum visitors (of any mutual distance) may pause, reset their primal perceptions of Life/Mind/Time -albeit- according to unseen social standards – by disrobing and literally immersively engaging themselves whole body-mind-spirit-soul within the nurturing ova spaciousness – to float upon organic identity – breathe-touch-merge with tropical moist atmosphere – freeing themselves to join human projections and infinite chains of echos’ thereof – expressing suppressed primordial goal-unknown development, melodic-rhythmic-symphonic ideas, and otherwise-unarticulated multiphasic shyness – helping them actualize global-humankind participation. Phase II : Moving be*yond (as foretold), include other species and localization of remote ecosystems as E4 nodes of filtered audio reception-experience-retransmission – invoking moments serendipitously bridging private-individual subconscious and integral supra-conscious. Phase I : Enable Aperella (see “Additional Materials”) with existing mobile communications to receive-experience-modify-retransmit streaming filtered E4 meta-museum vitality to never-repeating respective venues: urban walkways, nature trails, pastoral soundscapes, markets, mountains, metro stations, beaches, glaciers, tundra, jungles, parks, playgrounds, space stations, museum courtyards, exhibits, installations, etc., etc.

Chava Meora